This will take some time and effort at first so it is OK to go very slowly. This will reinforce the mental link between the note and your recognition. Look at the following example and ( without your bass) read along the top line of the page. Keep referring to the names previously written if you struggle to remember them. There are plenty of phrases you can use to remember these notes so try coming up with your own. The notes that lie on the lines are G, B, D, F and A, which spell out: The notes in the spaces are A, C, E and G. This can be a lot to take in at first, so it can be easier to separate the notes on the lines from the notes in the spaces: Here are the notes from the C Major scale with their letter names written in below. The height of the note on the stave (the five horizontal lines) tells us its pitch.Įach line and space is a set, consistent note which will always sound at the same pitch. As you read from left to right, you could consider this as time moving forward as a constant pace (governed by tempo). Music notation works by giving an almost graphical view of pitch against time. We simply need to attach meaning to new patterns. To master sight reading on bass guitar, we need to first of all recognise the dots and lines of music notation as easily as you are reading these words now. This is the process you began learning when you were a few years old. When we read a word on paper, our brain is recognising a pattern and attaching meaning to it. Sight reading on Bass Guitar is a challenging topic. Sight Reading on Bass Guitar – Master it now!
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